
Heather Ackroyd and Dan Harvey [...] have perfected their talent for manipulating the light sensitivity of ordinary grass. Black and white negatives are projected onto the grass, 12 hours per day, for over a week as the grass grows in a dark room. Different blades get different exposure and the results are photographs, like the recent Wimbledon portraits shown above.
Veer: Ideas: Wimbledon grass photographs by Anders J. Svensson
this is unbelievable! what an idea to have come up with!
ReplyDeleteVery cool. I love this.
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